My oshibana art practice embodies patience, gentleness and symbolism. It invites me to slow down and be present through each stage of my process from preservation to adhesion. Through this pace, I am given an opportunity to attune to what flora has to teach me; my work is a vehicle to express some of its lessons.
May each leaf or petal invite a conversation that widens our perspective or aids us in understanding ourselves.
Portraiture
a woman for all seasons – winter (December 2023)
Flora: Milkweed, Limonium, Delphinium, Carnation, Pansy, Thistle and Feverfew
superhero silhouette (February 2024)
Flora: Carnation, Peony, Clematis, African Violet, Bleeding Heart, Christmas Cactus, Seeded Eucalyptus. Cape is woven with botanically dyed fabric from Silk and Sumac.
lymphatic tenderness (April 2024)
Flora: Delphinium, Jewels of Opar, Silver Dollar Eucalyptus, English Ivy, Italian Ruscus and Olive.
a woman for all seasons – summer (June 2024)
Flora: Sweetpeas, Salvia, Delphinium, Scabiosa, Solidago, Pansy, Zinnia and Feverfew.
when your hands heal we’ll know for sure (October 2024)
Flora: Delphinium, Sweet Williams
esméralda (December 2024)
Flora: Delphinium
thrown tea (January 2025)
Flora: Delphinium, Feverfew, Ming Fern
My work is inspired by artists such as mannerist, Giuseppe Arcimboldo and Surrealists, Salvador Dalí, Frida Khalo, Leonora Carrington and Remedios Varo. In addition, my work is infused with ritual, community and fauna.
My work explores themes of impermanence, transformation and duality. It considers Floriography and weaves the flowers deeper meaning into the poetry of each piece.